东健的画以前见过一些。最近看到他新创作的一批仕女题材作品,有古代的,也有现代的。这些仕女完全没有富贵气,而是透露出浓郁的书卷气,她们跨越古今,休闲的状态中有几许惆怅,几多迷茫,完全是元曲中的那种情调,缠绵委婉,多愁善感。这又很容易让人想到林黛玉,不过曹雪芹笔下的这个形象,如果形成画面,能不能表现出文学作品中的那种感觉,可能也是因人而异,但总体来说比较难。 从东健的画面看,那种以没骨水墨营造的氛围,充满了梦幻的感觉,或许这种感觉原来就是来自于他的梦呓。可能这和曹雪 Dongjian’s paintings have seen some before. Recently saw his new creation of a number of ladies theme works, ancient, but also modern. These ladies do not have the riches at all, but they reveal a rich bookish spirit. How many melancholy they have crossed the ancient and modern, leisurely state? How confused they are completely the kind of sentiments in Yuanqu, which are euphemistic and sentimental. It is also very easy to think of Lin Daiyu, but the image written by Cao Xueqin can not show the feeling in literary works if it forms a picture. It may also vary from person to person, but it is harder on the whole. From the picture of Dongjian, the feeling of creating a fantasy with no bone-ink is perhaps the result of his dreams. Maybe this and Cao Xue