改革开放三十多年,流行音乐不仅经历了从复苏到兴盛再到过剩的加速度发展过程,而且伴随社会转型的步伐,也不断调整着自身的文化方向。作为文化运作和阐释的特定空间,流行音乐必然反映社会政治、经济和文化等多方面的对立统一关系,其形式“是一个所有参与势力谈判和妥协的结果”(1)。因此,对流行音乐的认识也应以政治、经济的特定结构为基本语境,在此前 Over the past 30 years of reform and opening up, popular music not only experienced the acceleration of its development from recovery to prosperity to excess, but also continuously adjusted its own cultural orientation with the pace of social transformation. As a specific space for the operation and interpretation of culture, pop music necessarily reflects the unity of opposites in many aspects such as politics, economy and culture. Its form is “the result of negotiation and compromise of all participating forces” (1). Therefore, the understanding of pop music should also be based on the political and economic specific structure as the basic context, before