李清照,是我国封建历史长河中最杰出的一位女诗人,是两宋词坛上独树一帜,颇有影响的大词家之一。 李清照(1084—1151?),号易安居士,山东济南人。父亲李格非以文章受知于苏轼,母亲王氏也知书善文。李清照自少便有诗名。她和太学生赵明诚结婚后,双方共同校勘古书,唱和诗词,或鉴赏书画鼎彝,生活比较美满。靖康二年,她和赵明诚相继避兵江南,丧失了向来珍藏的大部分金石书画。后来赵明诚又病死健康,她就辗转漂流于杭州、越州、金华一带,她大概艰难地活到近七十岁 度着凄凉、穷困的晚景。 李清照的著作,宋时就已刊印,而且不止一种刻本。《李易安集》十二卷、《漱玉集》一卷,“别本”分五卷,等等,我们今天所能看见的只有辑佚本。 总之,李清照的作品散失得太多。留存下来而又比较可靠的大约有词四、五十首,诗十余首,文数篇而已。 二 李清照工诗,能文,更擅长词,在文学史上为一代词宗。 她的词以南渡为界分为前后二期。 她的前期词有什么特色呢? 李清照受过的文化教养不亚于男子,并和丈夫有相等的甚至较多的创作实践,却偏偏身为封建时代的妇女,受封建礼教的压迫和约束。由于她不得侧身于广阔的社会天地,她的创作题材就限于闺阁,情调失之感伤。但是,她那直爽的个性和豪迈的抱负反而因受到抑制和遏阻越? Li Qingzhao is one of the most outstanding female poets in the history of feudal China and one of the most influential Ci Ciqings in the Song dynasty. Li Qingzhao (1084-1151?), No. Yi Anju, Jinan, Shandong. His father, Li Gefei, was informed by an article about Su Shi and his mother, Wang Shi, also learned Goodwill. Li Qingzhao since childhood there is a poem. After she married Zhao Mingcheng, who is too student, both sides collated ancient books, sung poems and poems, or admired painting and calligraphy Ding Yi for a better life. Jingkang two years, she and Zhao Mingcheng have to avoid the enemy Jiangnan, has lost most of the ever-cherished stone painting. Later, Zhao Mingcheng died of ill health, she was drifting in Hangzhou, Yuezhou, Jinhua area, she probably lived with difficulty until nearly seventy years with a desolate, poor night scene. Li Qingzhao’s works have been printed in Song Dynasty, and there is more than one edition. “Li Yi Anji” twelve volumes, “Shu Yu Jiji” volume, “Do not Ben” divided into five volumes, and so on, we can see today is only a collection of lost books. In short, Li Qingzhao’s works have lost too much. Preserved and more reliable about the word four or five, poetry more than ten first, the number of articles only. Two Li Qing Zhao Gong poetry, can text, more good at words, in the history of literature as a generation of Ci. Her words to Nandu for the community is divided into two phases before and after. What is the characteristic of her preface? Li Qingzhao’s cultural education is no less than that of man, and her husband has equal or even more creative practice, but rather as a feudal era of women, oppressed by the feudal ethics and constraints. Because she can not be sideways in the vast social world, her creative themes are limited to the boudoir, sentiment loss of sentimentality. However, her straightforward personality and ambitious aspirations but because of inhibition and deterrence more?