在地方戏曲日渐衰落的背景下,黄梅戏通过对曹禺的名剧《雷雨》的改编异军突起,成为时下中国戏剧舞台上的明星。本文试图从文化研究的视角,细致解读黄梅戏版《雷雨》的改编和接受情况,并以此为切入点,思考新世纪以来中国社会的思想状况和文化语境。 Against the backdrop of the decline of local opera, Huangmei Opera has emerged as a star on the stage of Chinese drama nowadays through its unique adaptation of Cao Yu’s famous drama Thunderstorm. This paper attempts to carefully interpret the adaptation and acceptance of the “Thunderstorm” version of Huangmei from the perspective of cultural studies and use it as an entry point to reflect on the ideological conditions and cultural context of Chinese society in the new century.