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美术院校的中国画教学一直成为一个问题,恐怕还是与人们对中国画的认识差异有关。 首先,中国画的基础是什么?当然是造型,但又不是以素描为基础的造型,尤其不是那种建立在建筑空间与圆雕向度上的素描造型。西方绘画与雕塑、建筑处于一个完整的空间,这个空间概念是物理的、几何的,而中国画不是。几十年学院教学最大的问题是把一个不属于中国画的物理空间强行灌输给了学生,对中国画的造型(无论人物、山水、花鸟)形成硬束缚,
Art Chinese painting teaching has always been a problem, I am afraid that people still have different understanding of Chinese painting. First of all, what is the basis of Chinese painting? Of course, it is modeling, but not sketch-based modeling, especially not the kind of sketch modeling that is based on the architectural space and the degree of oriental sculpture. Western painting and sculpture, the building is in a complete space, the concept of space is physical, geometric, and Chinese painting is not. The biggest problem for decades of college teaching is that a physical space not belonging to Chinese painting is instilled into students and forcibly restraining the style of Chinese painting (people, landscapes, flowers and birds)