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《三王墓》是《搜神记》中唯独记载有关“侠”的两则故事中的一则,其中的人物形象研究历来是学界关注的问题。但由于“客”表现出来的“侠”特质过于明显,学者们往往忽略了赤比、干将身上的“侠”特质。本文将以鲁迅的《铸剑》作为补充研究,追溯“侠”形象的产生、发展和变化,并对客、赤比、干将三者的“侠”形象进行简要分析。
“Three King Tombs” is one of the two stories recorded in “Sou Shen Ji” which records only the “Man”, of which the study of character images has always been a concern of scholars. However, because of the obvious “” “Man ” traits, scholars often overlook the “Man” character of the Red Chibi. This article will take Lu Xun’s Swordsmanship as a supplementary research to trace the emergence, development and change of the image of Xia Man and to make a brief analysis of the image of Xia, Kui and Qian.