郭沫若的《蔡文姬》从诞生之日起就受到评论界的极大关注和争鸣,其经典地位的确立与以焦菊隐为首的北京人艺艺术家的成功的舞台演绎分不开。作为一部保留剧目,它穿越不同的社会意识形态和文化语境,产生了复杂多变的接受反应和影响。本文旨在全面考察《蔡文姬》的接受史,寻求其接受的历史逻辑,探究观众的接受心理,总结其中的经验与教训。 Since his birth, Guo Wenruo’s “Cai Wenji” has drawn great attention and controversy from the day of its birth. The establishment of its classic status is inseparable from the successful stage performance of Beijing humanities artists led by Jiao Juyin. As a repertoire of repertory, it has undergone complex and varied reactions and influences through different social ideologies and cultural contexts. The purpose of this essay is to comprehensively examine the acceptance history of Cai Wenji, seek the historical logic it accepts, explore the audience’s psychology, and summarize the experiences and lessons learned.