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斯特林堡开拓了现代戏剧史上一种崭新特殊的结构类型。本文通过其代表作《到大马士革去》来把握这种结构方式的特点,进而探讨其剧作的现代性以及对现代戏剧发展进程的开拓性贡献。
Strindberg opened up a new and special type of structure in the history of modern theater. This paper tries to grasp the characteristics of this structure through its masterpiece “To Damascus”, and then explore the modernity of its play and its pioneering contribution to the development of modern drama.