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京剧与话剧和影视剧表演一样,对演员的要求是“化身为角色”。就是要求演员以自己的身体和心灵完成演员到角色的转换,创作出有血有肉、个性鲜明的人物形象。在京剧《观阵》中秦琼的人物性格是通过亮相技巧,表现出强烈的雕塑感,使观众在不同的角度都能欣赏到别具形态的塑像美。亮相要全身是劲,不能松懈,要内紧外松,含而不露,做到刚柔相济,才能显出潇洒与威武。亮像讲究造型均称,头、脚、手、身、躯干互相之间协调配合。其中甩头、变脸、眼神都要在完成的瞬间突出力度和“脆劲。”稳定是腿、腰、膀、肩的和谐统一。其中,腿是关键的支点。只有练出深厚的功底,才能达到这出戏对人物美、帅、脆、稳、准的要求。
Peking Opera and drama and drama performances, the actor’s request is “avatar as a role ”. Is to require actors to complete their actors and their own body and soul to the role of conversion, to create flesh and blood, distinctive character image. In Peking Opera “Gunshu” Qin Qiong’s character is through the appearance of skills, showing a strong sense of sculpture, so that viewers in different angles can enjoy the unique shape of the statue beauty. Unveiled to the whole body is strong, can not relax, to tight within the loose, without revealing, so hard and soft, in order to show smart and mighty. As bright as stress modeling, head, foot, hand, body, torso coordination with each other. Which shakes, face, eyes must be done in the moment to highlight the intensity and “sturdy ” stability is the harmony of legs, waist, shoulders and shoulders. Among them, the leg is the key pivot point. Only by practicing a profound foundation can we achieve the beauty, handsomeness, crispness, stability and accuracy of this play.