本文基于潮泉名剧《陈三五娘》戏文流变的事实,详细阐释在审美现代性视野的辐射下,该剧目的情节内容、精神气质和艺术表现在地方与中心、传统与现代这两对既相互冲突又相互渗透的概念中的独特表现,并揭示这种研究的意义与价值。 Based on the fact that the drama of “Chen San Wu Niang” in the tide of Quanzhou is changing, this essay expounds in detail the plot content, the spirit and artistic expression of the play under the radiation of aesthetic modernity horizon between the local and the central, the traditional and the modern The uniqueness of the concept of conflict and mutual penetration reveals the significance and value of such research.