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“日本的道德大车有两个缺一不可的车轮,一个是‘忠诚’,另一个就是‘孝道’。”[1]从二战后的昭和时代一直到平成[2]初期,对现实取材的艺术创作,其主题通常与知识分子对社会政体、政见的态度发生密切关联。经历过泡沫经济后的日本,旧时代的美好精神再度被人敬仰,这得益于日本高度统一的国民性格,“忠诚”与“孝道”这两个在武士道精神中最源远流长的美德成为艺术创作再度被重视的母题。而时代更迁,母题的对象发生了巨大转变:武士阶层已经消亡,“忠诚”体现在对于天
“Japan’s moral cart has two indispensable wheels, one is loyalty, the other is filial piety. ” [1] from the post-World War II Showa era until the beginning of the Heisei [2], the reality Drawn on the artistic creation, the theme is usually closely related to intellectuals’ attitude towards social politics and politics. After experiencing the bubble economy, Japan, the fine spirit of the old age is once again admired, thanks to Japan’s highly unified national character, “loyalty” and “filial piety”, both of which have the longest history of warrior spirit Virtue has been the subject of renewed emphasis on artistic creation. The time changes, the object of the subject has undergone tremendous changes: the samurai class has died, “loyalty ” reflected in the days