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在我们前线话剧团,许多老同志都重视群众角色的创造。他们往往把一个不起眼的角色演得活龙活现,非常生动。我在跟他们同台合作的过程中,深深体会到,一个群众角色在台上演得是否成功,配合得是否出色,常常会直接影响到主要角色的创造,影响到整个戏的演出质量。“三大员”的一跑一站在话剧《东进序曲》里,我扮演新四军司令员孟器字,随身带了三大员:警卫员,身背马刀,九龙转带,腰别双匣子,又背着我的左轮手枪;通讯员,拿
In our frontline drama troupes, many old comrades value the creation of the masses’ roles. They tend to live a very humble role vivid, very vivid. During my cooperation with them on the same stage, I deeply realized that the success or failure of a mass role in acting on stage often directly affects the creation of the main characters and affects the performance quality of the entire opera. One of the “Three Masters,” a run in the drama “East Prologue”, I play the commander of the New Fourth Army Meng word, with three members: guard, back to the Saber, Kowloon transfer, waist dual box , And carrying my revolver; correspondent, take