本文指出在20世纪70年代的整整十年中,从佩科拉母女的消极形象,到毁誉参半的秀拉,再到因文化归位而确立自我的米克曼,莫里森成功地刻画了一个勤劳、智慧、情感丰富、有个性、有追求、热爱黑人民族但又有着不同程度自卑感和其他一些缺点的黑人群体形象,积极探索了刻画肯定的黑人形象的过程,实现了那个年代黑人审美运动的宗旨。 This article points out that during the entire decade of the 1970s, Morrison successfully portrayed the negative images of both mother and daughter in Pecola and the well-known Sela and then to Mikekman, who established himself due to cultural return A group of black people who are hard-working, wise, rich in emotion, have personality, pursue, love black ethnic groups but have different degrees of inferiority and other shortcomings, and actively explore the process of characterizing the affirmative black image and realize that black The purpose of aesthetic movement.