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山水画是国画、是国粹,正常来说,山水画不应该与现代和后现代联系到一起,似乎传统早就已经是过去时,不能够与现代理论进行搭配,而实际上,山水画作为中国传统中的经典,而现代与后现代却也并非不存在于传统当中,如何看待这样的一组矛盾问题,使我们理解现代山水画的一个十分重要的出发点,本文正是基于从现代理论的视角来展开对山水画问题的研究。一方面从现代理论研究中国的山水画,一方面是从后现代的理论透视山水画,通过现代与后现代的矛盾与冲突,解读中国山水画的深刻内涵。
Landscape painting is a traditional Chinese painting and a quintessence of Chinese painting. Normally, landscape painting should not be associated with modernity and postmodernity. It seems that tradition has long been past and can not be collocated with modern theory. In fact, landscape painting, as a traditional Chinese Classic, and modern and post-modern but also not exist in the tradition, how to treat such a set of contradictions, so that we understand the modern landscape painting is a very important starting point, this article is based on the modern theory from the perspective of the development of landscape painting Study of the problem. On the one hand, it studies the Chinese landscape painting from the modern theory. On the one hand, it analyzes the landscape painting from the postmodern theory and the deep connotation of the Chinese landscape painting through the contradiction and the conflict between the modern and the post-modern.