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早在电影诞生之初，就已出现了以卢米埃尔为代表的主张纪实的逼真性和以梅里爱为代表的以照相机的公正、真实、直接可视等客观性来描绘整个人类社会的方方面面。摄影对客观事物进行记录的内在能力赋予了其纪实的本性；因此纪实从一开始就成为摄影与社会的通道，由这条通道，人类用自身的形象形成了对社会的看法，并影响人们的行为，解释我们的社会，纠正过去，昭示未来。所以纪实摄影的镜头从一开始就指向社会的人，关于人的一切都是胶片感光的对象。纪实摄影家作为主体，用相机对人性进行复归，历史
As early as the birth of the movie, the authenticity of documentary evidence represented by Lumière and the objectivity of fairness, truth and direct visualization represented by Meri Love have been shown to describe the entire human society All aspects. Photography inherent in the recording of objective things gives its documentary nature; hence the fact that documentary has served as a gateway to photography and society from the very beginning, through which mankind formed its own perception of society and its influence on people Behavioral, explain our society, correct the past, show the future. So the lens of documentary photography points to the community from the very beginning, and everything about people is the object of film sensitivity. Documentary photographers as the main body, with the camera on the return of human nature, history