本文论述的是荒诞主题表征下的焦虑,反映的是对人去向的思考与呐喊。《等待戈多》与《东成西就》被冠以荒诞、喜剧等标签,从解构主义视角看,荒诞并非果而只是表征,焦虑起于未知之时,无处不入,其本体也不断间隔化与差异化。因此,以解构主义来解读能揭示作品中所深藏的焦虑情绪,而非众口一辞的荒诞主题。 This article deals with the anxiety under the absurdity theme, which reflects the thinking and crying of the people. Waiting for Godot and East into West are labeled as absurd and comedy. From the perspective of deconstruction, absurdity is not fruit but characterization. When anxiety starts from unknown, it is everywhere and its ontology continues Separation and differentiation. Therefore, the interpretation of deconstruction can reveal the anxiety hidden in the works, rather than the one-spoken abstract theme.