论文部分内容阅读
影片《人·鬼·情》借助一个特殊的女艺术家——扮演男性的京剧女演员秋芸(女性)的生活象喻式地揭示其不可能因扮演男人而成为一个获救的女人,因为具有拯救力的男人只存在于她扮演的角色之中。并呈现了一个现代女性的生存与文化困境:渴望获救却深知拯救难以降临、可以拒绝却无法逃离、扮演男人成功而作为女人却是个彻底的失败者。本文正是基于对本部影片的这一基本认识,试图从女人与拯救、逃离与反抗、成功与失败三対矛盾出发,探讨影片《人·鬼·情》的叙事策略。
With the help of a special female artist, Qiu Yun (female), a Beijing actress who plays a male role, the film “People, Ghosts and Emotions” vividly reveals that it is impossible for her to become a rescued woman by acting as a man, Powerful men exist only in her role. And presented a modern woman’s survival and cultural difficulties: desire to be rescued, but realized that the rescue is difficult to come, you can refuse but can not escape, as a man to succeed as a woman but it is a complete failure. This article is based on the basic understanding of this film, attempting to explore the narrative strategy of the film “Ghosts and Ghosts” from the contradiction between women and salvation, escape and resistance, success and failure.