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明代浙派画家吴伟继戴进之后,以其简括奔放、气势磅礴见胜。进一步发展了雄健豪放之风,增强了力度、动感和气势,奠定了浙派的基调。论者谓他“源出于文进(戴进),笔法更逸,重峦叠嶂,非其所长,片石一树,粗简者,在文进之上。”其酣畅淋漓的水墨,狂肆粗野的画风,引致无数人为之倾倒,成为明代绘画史上的一位奇才。吴伟(1459-1508),字次翁,又字士英、鲁夫、号小仙。江夏(今湖北武汉)人,流寓金陵,画院待诏。善画水墨写意、人物、山水,曾以画
After the Ming Dynasty Zhejiang School painter Wu Wei Ji Dai Jin, with its simple and unrestrained, magnificent victory. Further developed the vigorous and unrestrained style, enhanced the strength, the movement and the momentum, and laid the foundation for the Zhejiang school. The author said that he “derived from the Wen Jin (Dai Jin), the style is more elegant, heavy mountain ranges, not its director, a stone tablet, simple, in the text on. ” The hearty ink, mad Stanford crude style, causing countless people to dump, become a genius in the history of Ming painting. Wu Wei (1459-1508), the word Weng, and English scholar, Luff, No. Xiao Xian. Jiang Xia (now Wuhan, Hubei) people, flowing apartment Jinling, the academy to be Chao. Good ink and wash freehand writing, figures, landscapes, once to draw