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阿沃·帕特作为欧洲神圣简约主义的代表人物之一,作品中自创的“钟鸣风格”是其创作的技术根基和理论依据。虽然帕特多次提及简约主义对其所创的钟鸣风格影响匪浅,但两者对于简单与静止的理解不同而形成了风格各异却目的相同的材料处理方式。本文通过分析简约主义对于材料的处理方式,并将其与钟鸣风格相比较,探寻帕特是如何以简约主义的语言发展出具有自身特点的钟鸣风格材料展开方式。
As one of the representatives of divine minimalism in Europe, Avalon Patel’s own “Zhong Ming Style” is the technical basis and theoretical basis for his creation. Although Pat repeatedly mentioned that minimalism has had a significant impact on the style of his bell, both methods formed the same approach to material handling for simple and static understandings. In this paper, by analyzing the treatment of materialism by minimalism and comparing it with Zhongming style, this paper explores how Pat developed the Zhongming style material with its own characteristics in a minimalism language.