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金圣叹最感兴趣的佛经并不是《华严经》 ,但华严学的心本原说对金氏的文学思想产生了很大影响 ,使得其诗歌情景理论和小说虚构观念呈现出独特的风貌。在华严宗推崇真心而否定三界理论的启发下 ,金圣叹萌生了否定诗歌单纯写景的“不写景”说 ,揭示了作家的珠玉锦绣之心与小说本质的关系。金圣叹的上述心物理论可说是开辟了将心本原说运用于文学思想的一条新道路。
The most interested Buddhist sutras of Jin Shengtang are not the Sutra of the Sutra, but the primitive motifs of the scholarly sutras exert a great influence on Jin’s literary thoughts, which makes his poetry scene theory and novel’s fictional view unique. Inspired by the fact that Hua Yanzong respected the true and deny the theory of the Three Realms, Jin Sheng-tan initiated the theory of “non-scene-writing” which negated the pure writing of poetry and revealed the relationship between the writer’s splendid beauty of the bead and the essence of the novel. The above-mentioned psychic theory of Jin Shengtan can be said to have opened up a new path to applying the original psychology to literary thinking.