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在画家经历了庞大苏联帝国的解体与重新分割之后,作品中呈现出的冷郁气氛,画家的技法,绘画的主题选择,所绘事物的形式感,无一不是更深层次的精神刺激下的产物,这并不是和平时代简单的娱乐产物,而是坚实堡垒垮塌下的废墟中最后的窥探,对人性对世界对自己的窥视,这是一个崩溃与重建的过程,在社会主义与资本主义的双重思维方式和双重价值观的冲突中不断的思考,技法上的重复性更加重了画家对画面的思考。
After the painter experienced the dissolution and re-division of the huge Soviet empire, the cold mood, the technique of painters, the subject selection of paintings, the formal sense of painting things in the works are all the products of deeper mental stimulation This is not a simple entertainment product in peacetime. It is a last-ditch peek in the rubble of a solid fort and a peep of human nature to the world. This is a process of collapse and reconstruction. With the double socialism and capitalism Thinking mode and double values of the conflict in the continuous thinking, technical repetition of the more emphasis on the artist’s thinking on the screen.