张栻《后杞菊赋》以“杞菊”意象呈现中和之性,表现物我相得的自适心态,其思想深度远远超过了陆龟蒙、苏轼、张耒的赋作。此赋中的哲理思致是伴随着作者的审美体验升腾出来的,客体的直观性使其义理内涵具有充足的生成性。《遂初堂赋》视“厥初”为恻隐之心,竭力发明《周易.复卦》卦辞“反复其道,七日来复”之义,指示返求本心的体验践行之道。《风雩亭词》则指出曾点不忘天理之中庸,时时刻刻都下着操存省察的日用工夫。 Zhang Qi’s “post-Qi Ju Fu” to “Qi Ju ” image showing the nature of neutrality, the performance of my self-determination mentality, the depth of thought far more than Lu Guimeng, Su Shi, Zhang Fu Fu. The philosophic thinking in this gift is rising with the aesthetic experience of the author, and the intuition of the object makes the connotation of the meanings abundantly generated. “Sui Chu Tong Fu” as “Juechu ” as the heart of compassion, endeavoring to invent “Zhouyi. Complex Gua” hexagrams “repeatedly,” Way to go. “Wind 雩 pavilion words” pointed out that they had never forgotten the doctrine of the truth, always under the common control of the daily workload.