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山水盆景乃静态之景,但如作者匠心独运,造型得体,则可神形兼备,由静生动,达到无声胜有声的艺术境界。山水盆景的布局最忌四平八稳,在制作当中,必须注意取势导向,静中求动,亦即有意识地布置出动势,做到动静相辅相成,使山水盆景生动而富于气势,且顺乎自然山水之情理。那么,应如何表现出山水盆景的动势呢?一、利用山峰与盆面之间的角度及其在盆中的位置来表现:在山水盆景中,动静首先表现在山水之间。一般来说,山相对为静,水却能予人以动感,正如《造园》中所说的“石令人古,水令人活”。然山峰在盆中置放的角度或位置不同,同样能使山体具有动感效应。如峰峦都朝一个方向倾斜,主峰则或偏左或偏右,配峰皆与之协调地呈奔趋之势(即朝同一个方向趋倾),而且主、次峰彼此顾盼、呼应,并于它们的前方留有一定的发展空间,如此布局则显动感。但要注意制作时务必掌握好峰峦倾斜有度,并非越倾斜越好。
Landscape bonsai is a static landscape, but if the author of originality, style decent, you can both-God-shaped, from the static and lively, to achieve a silent realm of art. Landscape layout bonsai most foolproof, in the production of them, we must pay attention to the trend-oriented, static seeking action, that is, consciously arranged the momentum, so that complement each other, so that landscape bonsai vivid and full of momentum, and follow the natural landscape The reason. So, how to show the momentum of landscape bonsai it? First, the use of the peak angle between the basin and its position in the basin to performance: In landscape bonsai, the first movement between the performance in the landscape. In general, the relatively calm mountains, water can give people a sense of movement, as “gardening” said “stone is ancient, water is alive”. However, the angle or location of the mountain placed in the basin is different, the same can make the mountain has a dynamic effect. If the mountain ranges are tilted in one direction, the main peak is either left or right, the peak is coordinated with the tendency to run toward it (ie, the same direction is tilted), and the main and sub peaks look forward to each other, echo and In front of them to leave some room for development, so the layout is dynamic. However, we must pay attention to making sure to master the slope of the slopes have a degree, not the more inclined the better.