非虚构和审美性对于散文这种文体而言,它本身即具有非虚构性质。但万没想到的是,近些年来,经有关人士把这一特质进行强调和放大以后,居然会产生那么大的反响。以致于诸多写散文的作家都趋之若鹜,并迅速在散文界涌起一股新的写作潮流。我想,之所以如此,大概是由于对“非虚构写作”的提倡,使当代的一些散文作家,从书斋走向了现实社会,走向了大地深处。使习惯了靠“想象性”和“经验性”的写作,变成了“介入式”的写作。以社会调查和追踪记录的方式,来暴露当下社会生活中所面临的矛盾和问题。这种把触须伸向具有表征性的社会现实领域的做 Non-fiction and aesthetics For essays like this style, it has a non-fictional nature. But what Wan did not expect is that there will actually be such a big repercussion in recent years that the people concerned have emphasized and magnified this trait. As a result, many writers who are writing essays are in full swing, and a new wave of writing is rapidly emerging in the essay world. I think the reason for this is probably due to the advocacy of “nonfiction writing”, which has led some contemporary prose writers to move from the study to the real world and into the depths of the earth. Make writing accustomed to rely on “imaginative ” and “empiric ”, become “interventional ” writing. In the form of social surveys and follow-up records, we can reveal the contradictions and problems facing the present social life. This tendency to do something in the field of symbolic social reality