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本文从构建山水画美学之“意”出发,结合绘画美学原理与当代美学原理,深入分析了“发于无意者为上”的形而上的美学沉思,并且梳理了张庚此山水画美学思想的脉络,以及对山水画创作实践的深刻意义。
Starting from the construction of the aesthetic meaning of landscape painting, combining with the principles of painting aesthetics and contemporary aesthetics, this paper analyzes in depth the aesthetic contemplation of the metaphysics of “made in the unintended intention ” and combs the aesthetic thoughts of Zhang Geng ’s landscape painting The context, and the profound significance of the practice of landscape painting.