搞传统戏曲剧目的有句行话,日‘翻箱底’。箱底下要是真有好玩艺儿,翻出采就能复活在舞台上,那当然好。但得有一个条件,必须是有底箱,如果那箱底早就漏了,朽了,或者没有了,即使把箱子扣过来,也倒不出什么东西。没底箱到了另一种人手里,却可以变出宝贝来,那是耍魔术的,已不在戏曲的行当了。由此我想到被戏曲舞台所埋没了的陈迹。戏曲舞台沿着不断发展的规律,也不断埋下了一些陈迹。这些陈迹是被历史淘汰的,所以被淘汰而成为陈迹的原因,就在于它不能成为有生气的舞台艺术的有机部 Engage in traditional drama repertoire, the Japanese ’flip the bottom’. Under the box if there is really fun stuff, turned out to be able to revive the stage, of course, good. But there must be a condition, it must be the end of the box, if the bottom has long been leaked, rotten, or not, even if the box buckle, but also not pour anything. Did not end the box to another kind of person’s hands, but it can be changed baby, that is magic, is no longer in the opera business. From this I thought of being buried in the stage drama stage. Drama stage along the continuous development of the law, but also continue to planted some of the traces. These historical sites are eliminated by history, so the reason why they were eliminated and become a memorial is that they can not become the organic part of the lively stage art