本文着重从美学和文艺学的视角来探讨李之仪《卜算子》词境中所折射出的“心理距离”美。“距离”在美学意义上的概念主要倾向于指“心理距离”,不同对象对“距离”的把握因“心理”状态的差异而各有特色。 This article focuses on the beauty of “psychological distance” reflected in the context of “divination operator” by Li Zhiyi from the perspective of aesthetics and literature and art. The concept of “distance” in the sense of aesthetics mainly means “psychological distance”, and the grasp of “distance” by different objects has its own characteristics due to the difference of “psychological” state.