由于画家所处的自然环境、艺术理念、师承关系和审美取向的不同,从目中山水到笔下山水必生各异。山水画自五代北宋始分南北方两大风格流派,在北方以荆浩、关仝和范宽为代表,画中山水峻拔、劲挺、深厚,笔意枯老具有雄润伟美的气格;而江南山水则以董源为宗,画中峰峦重叠、云雾明晦、湖泊遍布,笔意润泽华滋,具有清逸秀润之美,后继者各师其宗径渭分明。如今交通便利发达已无东西南北之闭,画家亦见多识广,目及天下山水搜于胸中,依着自己的个性 Due to the different natural environment, artistic concept, teacher-student relationship and aesthetic orientation in which painters are located, landscapes vary from one landscape to another. Landscape painting from the Five Dynasties before the Northern and Southern Dynasties began two genres of genres, in the north to Jing Hao, Guan Tong and Fan Kuan as the representative, draw the mountains and rivers Jun pull, Jin Ting, deep, pen dry old with a magnificent beauty; The landscape is based on Dong Yuan, the overlapping peaks and valleys in the painting, the clouds are clear and dark, the lake is all over, the meaning of moist, with the beauty of Qing Yi Xiurun, the successor of the divisions of their divisions are distinct. Today, there is no convenient transportation between the east, the south and the north, and the painters also know well about the scenery and the landscape of the world. According to their personalities