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中国画的笔和墨,被无数画家玩了千余年;中国画的丝帛和宣纸,已经画出铺天盖地的作品,画家是将工具和材料创作奇迹的实践者,也是把工具和材料用至极限的达人。极限造就艺术家。但许多人发现极限到达后空间就有限了,也许是引起创造滞缓的羁绊;艺术只有走出极限的束缚,方能创出广阔的空间。汪玉砚的艺术成熟与美院中国画的科班训练导向有关系,她比较早地感悟到传统绘画的深度和发展,在纸质的画材上探索许久后,发
The brush and ink of Chinese painting have been played by innumerable painters for more than a thousand years. The silk and rice paper of Chinese painting have drawn overwhelming quantities of works. The painter is a practitioner of miracles of tools and materials, but also uses tools and materials to the limit talent. Limit creates artists. However, many people find that there is limited space after the limit is reached, which may have caused the stagnation to create stagnation. Only by moving beyond the limit can art create a vast space. The artistic maturity of Wang Yanyan has something to do with the training orientation of the Koban classes in the Chinese Academy of Fine Arts. She soon realized the depth and development of traditional painting. After exploring for a long time in paper-based painting materials,