在过去的5年里,纽约的东村(East village)作为一个艺术舞台,已渐渐地被人们视为某种艺术的象征或某种思潮,或是新一代消沉、疯狂、原始、革命的、在生活上豪放不羁的艺术家们的营巢。 在东村之外,出现了一群艺术家,他们的作品被贴上了新几何派、新未来主义、新波普艺术、新概念主义、精致艺术和新抽象派等形形色色的不同的标签。同这群艺术家们联系在一起的艺术,无论从何种意义上来说,都谈不上是一个有组织的艺术 Over the past five years, New York’s East Village, as an art stage, has gradually been seen as a symbol of a certain kind of art or as a trend of thought, or as a new generation of depression, madness, primality, revolution, In the life of uninhibited artists camp. Outside East Village, there appeared a group of artists whose works were labeled with different labels of various types, such as Neo-Geometry, Neo-Futurism, Neo-Pop Art, Neo-Conceptism, Fine Art and Neo-Abstract Art. Art linked to these artists is by no means a organized art