《再见瓦城》是赵德胤导演的第四部剧情长片。影片通过一对缅甸偷渡客的爱情悲剧,描绘了流浪华人的身份认同焦虑,并以非标志性叙事空间的表述方式,建构了缅甸、泰国等非华人国度作为他者的话语空间。本文还探讨了影片中冷静克制的情欲表达,以及写实风格与戏剧性表达之间的裂隙。 “Goodbye tile city” is director Zhao Deyin’s fourth feature film. Through a love tragedy of the smugglers in Myanmar, the film depicts the identity anxiety of the wandering Chinese and constructs the discourse space of other non-Chinese countries such as Burma and Thailand as the other through non-symbolic narrative space. This article also explores the calm, restrained, erotic expression of the film, as well as the gap between realism and dramatic expression.