一人民口頭創作是文學源泉的歷史實際意義,應當是:第一、最古最原始的文學,不是起源於脫離勞動者的哲人、聖人或偉大诗人的筆下寫作,而是起源於勞動人民的口頭說唱。第二、各時各代的新文學,不是只從過去文學或外國文學得到典範或啓發,而更主要的是依據人民生活中存在着的自然形熊的文學,施以提煉加工。加里寧早已指示過了:「最天的诗人,最有才斡的作曲家,只有當他们接觸到民間创作的時候,只有他们面臨民間創作的泉源時,才會在他自已的創作中成爲天才。此外就再没有天才的人了」。毛主席的指示更明確。「一切種類的文學藝術 A people’s oral creation is the historical practical significance of the source of literature. It should be: First, the oldest and most primitive literature originated not from the written writings of philosophers, saints or great poets who are separated from laborers but from the working people Rap Second, the new literature of every generation is not only exemplified or inspired by past literature or foreign literature, but more importantly, it is refined and processed based on the natural bears of literature that exist in people’s lives. Kalinin has long already instructed: “The heavenly poets, the most talented composers, only become geniuses in their own creations only when they come into contact with folk creations, and only when they face the fountain of folk creations There is no genius anymore. ” Chairman Mao’s instructions are clearer. "All kinds of literature and art