巴赫金的“狂欢化”理论为解读莎士比亚戏剧《泰特斯.安德洛尼克斯》提供了新的批评视角。本文借助巴赫金的“狂欢化”理论着重分析该剧中狂欢化表现的三个方面,即狂欢国王的加冕脱冕、怪诞现实主义和复调对话,并就巴赫金“狂欢化”理论对于狂欢节中暴力因素的忽视以及戏剧中复调存在的可能性作了探讨。 Bakhtin’s “carnivalization” theory provides a new critical perspective for the interpretation of the Shakespeare play “Titus Andronix.” Based on Bakhtin’s theory of “carnivalization”, this article focuses on the analysis of the three aspects of carnivalization in the play, namely, coronation, eerie realism and polyphonic dialogues of carnival kings, The ignorance of violence in the festival and the possibility of polyphony in the drama.