论文部分内容阅读
将版画的“制版”——“印刷”的模式,置于当代文化的背景之下,进行全方位的再认识,是为了打破版画原有模式的线性的平面逻辑思维。将版画的“制版”——“印刷”的模式,发展为“制版”——“印刷”——“呈现方式”的新模式。形式和手段也成为版画发展的观念和内容,突出版画的展示意义,正是为了发展版画的多元性的认识。将看版画变为触碰、置换、组合、随机等的参与过程和行为,并能动的生成为新的艺术观念,次此,对版画在当代文化中的艺术可能性和无限性进行思考。
Putting the “platemaking” - “printing” mode of printmaking under the background of contemporary culture and re-recognizing it in all directions is to break the linear planar logic thinking of the original mode of printmaking. The printing plate “plate” - “printing” model, the development of “plate” - “printing” - “presentation” of the new model. Form and means have also become the concept and content of the development of printmaking. Highlighting the significance of the printmaking is precisely for realizing the diversity of printmaking. Will print to touch, replacement, combination, random and other participation in the process and behavior, and can be dynamically generated as a new concept of art, and secondly, print art in the contemporary possibilities and limits of thinking.