肖邦的g小调大提琴奏鸣曲(Op.65)作于1845—1846年,全曲四个乐章,这里分析的是它的第Ⅲ乐章——Largo(bB大调)。这一乐章,篇幅虽短,却很精巧,在音乐构成的各个方面都体现出了肖邦音乐的某些特点。在曲式上,向来比较自由的他毫不例外地又给人们带来了一些疑惑,如果说它是一部曲式,那么乐曲后半部分和前半部分的平行关系就难以解释;如果说它 Chopin’s g minor cello sonata (Op.65) for the 1845-1846, the whole song four movements, here is the analysis of its third movement - Largo (bB major). This movement, though short in length, is subtle and reflects certain features of Chopin music in all aspects of the composition of the music. In the form of music, he has always been relatively free to give him no exception and brought some doubts, if it is a music, then the second half of the music and the first half of the parallel relationship is difficult to explain; if it