阿什贝利的诗歌大都晦涩混乱,往往让读者无法理解。对《在北方农场》和《仍然是囚室》的分析表明,这种混乱效果是他为批判传统的世界观和语言观而故意营造出来的。他通过悖论式的意象、视角的无序转换、词义的模糊等技巧消除了诗歌在语义上的指向,指出了语言表达的虚妄,同时营造了局部明晰、总体朦胧的奇特美感。阿什贝利对暗示手法的运用,让他的写作能够在消除语义的同时,实现对传统的世界观和语言观的批判。 Most of Ashby’s poetry is obscure and often makes the reader unable to understand. The analysis of “farms in the north” and “still cells” shows that this chaotic effect was deliberately created by him to criticize traditional world and linguistic views. He eliminated the semantic orientation of poetry through his paradoxical images, the disorderly conversion of perspectives, and the vagueness of meaning. He pointed out the illusoryness of language expression, and at the same time, created a peculiar aesthetics of local clarity and general obscurity. Aspirelli’s use of suggestive techniques allows his writing to eliminate the semantics while at the same time achieving the critique of the traditional world view and language view.