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暮春三月,正是江南草长莺飞时节,坐在翰香远溢、古柏环绕的西安碑林,遥接故友苏州博物馆副馆长程义博士邮件,轻轻地拆去邮封,一本精美的《苏州博物馆藏玺印》呈现在我的面前。细细品读书中那一方方各具情态、通灵可爱的玺印篆刻,当年与程义博士于长安“抱梅山房”谈印论学的情景又一幕幕浮现于脑海中,欣喜于精研古印的程义兄从古都长安南下苏州后,与苏州博物馆同仁一起很快整理了馆藏玺印,为明清以来在中国古代印章收藏和流派篆刻勃兴的首善之区续写了华章。
Late spring in March, it is the grass of the Yangtze River Yingfei season, sitting Johnny far, Xi’an, surrounded by Cooper, Xi’an Forest of Stone Tablets, Remote Friends of Suzhou Museum Deputy Director Dr. Cheng Yi mail, gently remove the seal, a beautiful The “Suzhou Museum Seal Yuxi” presented in front of me. Careful reading that one side of each situation, psychic cute seal printing, and then Dr. Cheng Yi in Chang’an “hold Meishan room ” on the scene of the theory of printing another scene came to my mind, delight in After the ancient capital of Chang’an south of Suzhou, Cheng Yi-xiong, who was studying the ancient print, quickly collated the seal of the collection with colleagues of Suzhou Museum. He continued to write the chapter for the first-kind region of the ancient Chinese seal collection and genre seal cutting since the Ming and Qing Dynasties.