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音乐音响作为声音的一种,有信息负载的局限性,这一点它与视觉审美不同,人们听音乐时不可能像看一幅写生画一样对所绘形物一目了然。绘画新作品与欣赏者之间的审美心理联系多半是以客观外界的实在形物为反射条件的。观众的审美经验构成的大部分,是实实在在的自然物的表象。而音乐,听众在自然世界中是不可能找到天然音乐音响,汉斯力克曾说:“音乐在自然界
Music audio as a kind of sound, the limitations of information load, which is different from the visual aesthetic, people can not listen to music, like reading a sketch can be seen at the same glances. Most of the aesthetic psychological connections between the new paintings and the appreciators of the painting are conditioned by the real objects in the objective world. The majority of the audience’s aesthetic experience constitutes the real representation of natural objects. Music, listeners in the natural world is impossible to find natural music sound, Hans Lectra once said: ”Music in nature