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《有意义和无意义》(1948)一书一开头就是一篇献给赛尚的文章,不过赛尚转过来又启发了《眼和心》的构思。在前一本书到后一本书的出版,这个阶段的事物的发展,使梅劳-庞蒂得以赶上了他那时代的潮流,为了种种原因,时代潮流当然向“知觉哲学”提出了若干问题。虽然我们不能忽略这一点,但也不要只局限于它:哲学观点,和绘画观点同样都发生了变化,而且我们应该在考虑这种变化时,要弄清楚原来那个想把绘画界的权威收罗进去的思想(但
The book “Meaningful and Meaningless” (1948) begins with an article dedicated to Saisons, but the game turns around and inspires the concept of “eyes and hearts.” The publication of the previous book, the publication of a later book, and the development of things at this stage led Melanie-Ponty to catch up with the trends of his time. For a variety of reasons, the trend of the times was of course put forward to Perceptive Philosophy A few questions. Although we can not neglect this, we should not limit ourselves to it: the philosophical point of view and the point of view of painting have all changed in the same way. And when we consider this change, we must make it clear that the original one who wants to draw the authority of the painting community The idea (but