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《南京!南京!》影片,描绘了南京城里中国百姓的悲惨遭遇和自救,刻画了日本士兵作为战争工具的人性迷失和挣扎。在表象背后,包含着深层次的自发存在与自为存在二元对立的主体困境。笔者试图通过两种存在的紧密联系和力量消长去分析影片中显露出来的人性失衡。
“Nanjing! Nanjing!” The film depicts the tragedy and self-help of the Chinese people in the city of Nanjing and portrays the humanity lost and struggled by Japanese soldiers as tools of war. Behind the appearance, it embodies the dilemma of the main body between the spontaneous existence at a deeper level and the existence of duality. The author attempts to analyze the human nature imbalance revealed in the film through the close relationship between the two existences and the growth and decline of power.