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本文以奕车人的节日民俗音乐作为研究对象,对“矻扎扎”“仰阿娜”“扎勒特”“普玛突”等四个传统年节中,民俗与音乐的相辅相成进行探讨。阐述其节日民俗音乐在维系本民族凝聚力,形成本民族自我认同感的社会功能中显现出的独特性与典型性。进而论述民俗以音乐为载体和表现符号,制约音乐的形成与发展;音乐以民俗为源,服务于民俗,影响民俗的双向辅成相依关系。
In this paper, the festival carnival folk music as the object of study, the four traditional festivals such as “Zha Zha ” “Yangna ” “Zarate ” "Puma sudden Folklore and music complement each other to explore. Expounds the uniqueness and typicality of the festival folk music in the social function of maintaining the national cohesion and forming the self-identity of the nation. And then discusses the folk music as a carrier and symbol of performance, restricting the formation and development of music; music to folklore as the source, serving folk customs, affecting the two-way relationship between folk and auxiliary.