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我领导，一个很任性的年轻人。
比如说，他最近喜欢玩黄金。准确来说，他最近迷上了一种叫做“金缮”的技艺。为此，他整整任性了三个星期，当然，最后他万万没想到的是，他为自己的任性付出了更任性的代价。
三个星期前的一个早上，我还坐在办公室刷微博吃早餐的时候，被领导传召了。我叼着半块面包片滚到他面前，等待指示。他问我：“你知道金缮吗？”“不知道，那是什么？”年轻人冷笑一声，拿出一副要碾压我智商的表情跟我说：“日本传统修复技艺，给你发个链接，自己回去看。”
此处省略我了解金缮的过程，看完本文还不了解的，请再去百度一番。
“厉害吧？这不仅仅是一门修复技艺，这是一门艺术！”此处开始插入年轻人任性的表情，他继续跟我说：“用珍贵的黄金来修复裂痕，让它不仅是变完整，而且变完美。”
“所以你想怎样？让我去采访一个金缮工匠？”
“不，我要自己做。”说完，他用手一指，示意我到茶水间开会。我一进茶水间就惊呆了。这个年轻人，居然从一个快递盒子里拿出一堆类似油漆的东西。其实我第一眼看到的是一小包感觉很珍贵的东西。我问他：“难道这就是你要玩的黄金？”“金箔。”“纯的？还是……”“纯的。”到这一刻，我才知道，他真的要学人家玩金缮！
要玩金缮，首先，你得有一个破的陶瓷制品，比如杯子。
“那就现砸一个吧。”他刚说完这句话，我看到进茶水间洗杯子的同事王先生默默地攥紧了自己那个“养”了很久的小茶杯。大家都知道，这是一个任性的年轻人。年轻人机智地打开了茶水间的储物柜，拿出一个尘封已久的赠品马克杯，我能想象到杯子此刻要死的心情。但此刻，心情复杂的还有一个人，保洁许姐。年轻人拿起杯子，眼睛一闭，扔向了许姐刚打扫过的地面。许姐的表情从“少爷，不要啊！”，瞬间转为“又要再扫一遍！”。
由于年轻人海拔过高，杯子在重力势能作用下，粉碎性骨折了。当时场面也是尴尬，人家金缮大师都是拿只裂了一两条缝的器物来修复啊，这粉碎性骨折可咋整？项目组同事Judy提醒他：“你先拿两块碎片练练手啊。”
年轻人戴上口罩和手套，有模有样地开始调漆，准备作孽，不，是作业。他一开始就用刮刀直接把大漆抹在接口处，结果，弄得两片白碎片上全是大漆，大漆表面干了呈现出褐色，感觉他在玩的不是黄金，而是别的……
理论上来讲，大漆干了以后，就可以进行下一步了。结果，大漆就是这么倔强，怎么着都不干，根本粘不牢。
我说过，这是一个任性的年轻人。就在大家都笑他无聊的时候，他打开了万能的百度，发现一个关键点：大漆不含水分，它需要在湿度足够的地方实现干燥。北京这么干燥的地方，我们需要自制一个阴干箱。
年轻人又砸了一个杯子，开始第二次试验。这次他用小刷笔来上漆，感觉干净多了。那天下午，我们把粘起来的杯子放进一个很湿的箱子里，静待它第二天早上能实现伤口愈合。
第二天早上，我先碰了一下，好像真的干了。年轻人一高兴，拿起杯子，结果杯子根本没干，裂开的地方还是再次裂开了。当时，年轻人那张晴天霹雳的脸，让我好想拍个动图发朋友圈给大家高兴高兴。
“怎么会这样？！”年轻人崩溃了。那个上午，他谁也不理，只对着电脑，开始找资料，总结自己的失败经验。
下午，他突然叫上我去一个卖茶具的市场，买了两个有气质的小杯子。他在买杯子的时候，不停地问人家“怎样可以把杯子摔成完整的两三片”。各路店家都蒙圈了，“你买杯子喝茶为啥非要摔啊？”“小兄弟，你是要拍电影么？”
第三次，这次我拍照了，有图有真相。
这次摔的杯子，虽然没有粉碎性骨折，但碎片的复杂性，也让一个新手值得痛哭好久好久。
温馨提示：一定要戴手套，绝大部分人都会生漆过敏，一旦沾上了，要尽快去除，漆匠推荐用生韭菜捣成汁涂上去止痒。后期制作的时候，年轻人手腕不小心沾了一道生漆，为什么会发生这个悲剧，后面会说到。
Judy：金缮大师的生漆里面是不是还加了什么能加速凝固的？
人饭子：说不定加了502.
年轻人：有可能！所以这就是这项技艺一般人尝试起来总会失败的原因。
当然，任性的年轻人是不可能真的尝试这种旁门歪道的。
为了防止它裂开，还给它用湿报纸做了一个托。
自制简易阴干箱，杯子这次会在里面度过孤独的七天。
七天后，杯子，真的粘牢了！眼看着我们就要上金箔，走上艺术巅峰的时候，万万没想到的悲剧发生了。我们那些作案工具，包括那包金箔纸，由于被放在一个黑色的袋子里，被保洁许姐当成垃圾给扔了，黄金被扔了，扔了。
金箔是年轻人在某宝上买的，据说从台湾运过来要很久。
此处省略我们满北京找纯金金箔或金粉却无果的悲催过程。
最后，我们向现实屈服了，根据网上教程指示，买了不太纯的黄金粉，我们都安慰年轻人：“也是含真黄金的啊。”
如图所示，作案工具被扔了以后，年轻人铤而走险地不戴手套上漆，刷金粉。没错，他就是这时候大漆过敏的。过敏的手腕看上去像一条培根包裹的猪蹄，画面太残忍，不适合发出来给大家看。
看着这最后的作品，年轻人跟我们说：时间会说明一切，大师都是任性的。
任性的代价：
小号羊毛刷、调漆碟、小号刮撬、砂纸、蓝漆、生漆、鹿角霜、口罩、一次性手套、金箔纸、金粉等，共计约500元。
注意事项：
1、千万要做好防护工作，慎防大漆过敏，老人小孩孕妇体弱者尽量远离。
2、湿度和时间是大漆粘合的必要条件。
有兴趣的朋友，可以在家尝试一下，修复一件破碎的器具，让它成为艺术品。
这次的金缮实践过程其实就是一条布满险阻荆棘的道路，虽然我们最终磕磕绊绊地走到终点，看到了成品，但跟真正金缮大师的作品比起来，还差好几圈地球。我们需要时间等待一件作品的成型，也需要时间来打磨更精细的工艺。 A Self-willed Young Man Who Plays With Kintsugi
Written by Fan Zhu Translated by Li Lingzi
My boss is a very self-willed young man.
For example， recently he becomes keen on gold. To be more accurate， he is obsessed with some artistry called "kintsugi". He spent three whole weeks for it， but he did not think of that he would pay capricious price for his caprice.
One morning three weeks ago， when I was having breakfast while browsing the micro-blog， I was summoned by my boss. I rushed to him with a piece of bread in the mouth， waiting for his order. He asked， "Do you know kintsugi？" "I do not. What is that？" The young man sneered， showing the expression that his IQ has an overwhelming advantage over mine， "It is a traditional repairing artistry of Japan. I’ll give you a link and you can get some information by yourself."
I will skip the process that I get the knowledge of kintsugi here. Anyone who cannot get the point after reading this article， please just google it.
"Isn’t it amazing？ It is not only a kind of artistry， but an art！ " Here the young man shows the expression of being self-willed， he continued， "It repairs the cracks with precious gold， which makes things not only completed， but also perfected."
"So what do you want to do？ You want me to interview a craftsman of kintsugi？"
"No， I want to do it by myself." Then he pointed to the tea room， asked me to have a meeting there. I got surprised when I entered the room. Something like paint was taken out from an express box. Actually， at the first sight I thought it was a small packet of something precious. I asked him， "I don’t think it is true but are you going to play with gold？" "Gold foil." "Pure gold？ Or..." "Pure." Not until that moment did I realize that he really wanted to learn to play with kintsugi！
To play with kintsugi， you should at first have a broken ceramic product， such as a glass.
"Then we need to break one." After he said it， I saw Mr. Wang， my colleague who was also in the tea room clenched the small cup he had "nourished" for a long time silently. As we all know， my boss is a self-willed young man. He opened the lockers of the tea rooms wisely and took out a dusty gift mug， and I could imagine the feeling of the cup when it knew it was going to die. But at the moment， there was another person who had complex feelings， it was Mrs Xu， the cleaner. The young man picked up the cup， closed his eyes and threw it to the floor. Mrs Xu’s expression turned from "Please don’t， young master！" to "Oh， I have to sweep the floor again！". Since the altitude of the young man was so high， that with the effect of potential energy of gravity， the cup broke into pieces. The scene became embarrassing， since masters of kintsugi only repair those stuffs with one or two cracks， what should we do to a comminuted fracture？ My colleague Judy reminded him， "You can take two pieces to practice first."
The young man wore the mask and gloves， began to paint， seeming to be professional and to make troubles， oh no， to make a masterpiece. He began with putting the lacquer to the joint with a scraper directly， which made the two white pieces full of lacquer， when it dried it turned to be brown， it seemed like he was not playing with gold， but something else.
Theoretically， when the lacquer is dry， the next step can be done. However， the lacquer was so stubborn that it did turn to be dry， and was not sticky at all.
As I have said， this was a self-willed young man. When we were saying that he was idle， he opened the all-mighty baidu and found the key point： the lacquer did not contain water， and it needed to be dry in some place with enough humidity. Beijing is so dry that we needed to make a dry box by ourselves.
The young man smashed another cup and the second attempt began. This time he painted with a small brush， which seemed to be much cleaner. At that afternoon， we put the agglutinated cup into a very wet box， and hoped that its injury could heal the next morning.
The next morning I touched the lacquer and it seemed to be dry. The young man was happy and he held the cup which was not dry actually， the split pieces split again. At that moment， I really wanted to take a dynamic picture of the young man’s face， which showed great shock and posted it in the Moments to amuse my friends.
"How can it be like this？！" The young man was defeated. At morning he did not speak to anyone， and only faced to the computer， searching for information and concluding his experience of the failure.
In the afternoon， he asked me to go to a market， which sold tea-things. We bought two classy cups， and he continued asking the shopkeepers， "How to break the cup into three complete pieces？" The shopkeepers all got confused， "The cup is for drinking， why must you break it？" "Son， are you going to shoot a movie？"
At the third attempt， I took photos， and there is the truth.
This time the cup did not get a comminuted fracture after being smashed， but the fragments are still so complicated that any green hand can cry for it for a long time. Tips： Gloves are necessary， because most people are allergic to raw lacquer， once touching some of it， they should remove it as soon as possible. Painters recommend the juice of raw leek to relieve the itch. In the late stage， the young man got some raw lacquer on the wrist. How the tragedy happened will be mentioned later.
Judy： Do masters of kintsugi add something to accelerate the solidification to the raw lacquer？
Fanita： Maybe they add 502.
The young man： It is very likely！ That is why average people often fail the attempt of such artistry.
Of course， the self-willed young man would not really try such dishonest practices
To prevent it from breaking into pieces， we made a base for it with wet newspaper.
It is the self-made dry box， and the cup would spend seven lonely days in it.
Seven days later， the cup was really agglutinated！ We were walking to the peak of gold foil and arts， when suddenly a tragedy happened. All our crime tools， including the gold foil was thrown away by Mrs Xu， the cleaner， since they were put in a black plastic bag. The gold was thrown away， thrown away.
The gold foil was bought by the young man from Taobao， it was shipped from Tainwan and took a long time.
Here the tragic process of us looking for the gold foil in vain will be skipped .
At last， we gave in to the reality. According to the instructions online， we bought some gold power which was not pure， and we comforted the young man， "It also contains real gold."
As the picture shows， after the crime tools have been thrown away， the young man rushed into danger of painting gold powder without wearing gloves. Yes， he became allergic at that time. The allergic wrist looked like a pork knuckle which was wrapped in bacon. The scene was too cruel for us to see.
Looking at the final work， the young man said to us， time will prove everything and masters are all self-willed.
The cost of being self-willed
Small wool brush， paint dish， small size wiper， sandpaper， blue paint， lacquer， cornua cervi degelatinatum， masks， disposable gloves， gold foil and gold powder， in total 500 CNY.
Notice：
1.Protect yourself from being allergic to lacquer， and senior citizens， children， the pregnant and the weak should be away from it.
2.Humidity and time is the necessity of the agglutination.
People who are interested in it can have a try at home. You can revise a broken utensil and make it an artwork.
The process of kintsugi is a path full of dangers of thorns， although we eventually stumbled to the end and saw the final product， but compared with the real masters of kintsugi， the distance can be several circles of the earth. We need time to wait for the confection of a piece of work， and also time to refine the skills.
比如说，他最近喜欢玩黄金。准确来说，他最近迷上了一种叫做“金缮”的技艺。为此，他整整任性了三个星期，当然，最后他万万没想到的是，他为自己的任性付出了更任性的代价。
三个星期前的一个早上，我还坐在办公室刷微博吃早餐的时候，被领导传召了。我叼着半块面包片滚到他面前，等待指示。他问我：“你知道金缮吗？”“不知道，那是什么？”年轻人冷笑一声，拿出一副要碾压我智商的表情跟我说：“日本传统修复技艺，给你发个链接，自己回去看。”
此处省略我了解金缮的过程，看完本文还不了解的，请再去百度一番。
“厉害吧？这不仅仅是一门修复技艺，这是一门艺术！”此处开始插入年轻人任性的表情，他继续跟我说：“用珍贵的黄金来修复裂痕，让它不仅是变完整，而且变完美。”
“所以你想怎样？让我去采访一个金缮工匠？”
“不，我要自己做。”说完，他用手一指，示意我到茶水间开会。我一进茶水间就惊呆了。这个年轻人，居然从一个快递盒子里拿出一堆类似油漆的东西。其实我第一眼看到的是一小包感觉很珍贵的东西。我问他：“难道这就是你要玩的黄金？”“金箔。”“纯的？还是……”“纯的。”到这一刻，我才知道，他真的要学人家玩金缮！
要玩金缮，首先，你得有一个破的陶瓷制品，比如杯子。
“那就现砸一个吧。”他刚说完这句话，我看到进茶水间洗杯子的同事王先生默默地攥紧了自己那个“养”了很久的小茶杯。大家都知道，这是一个任性的年轻人。年轻人机智地打开了茶水间的储物柜，拿出一个尘封已久的赠品马克杯，我能想象到杯子此刻要死的心情。但此刻，心情复杂的还有一个人，保洁许姐。年轻人拿起杯子，眼睛一闭，扔向了许姐刚打扫过的地面。许姐的表情从“少爷，不要啊！”，瞬间转为“又要再扫一遍！”。
由于年轻人海拔过高，杯子在重力势能作用下，粉碎性骨折了。当时场面也是尴尬，人家金缮大师都是拿只裂了一两条缝的器物来修复啊，这粉碎性骨折可咋整？项目组同事Judy提醒他：“你先拿两块碎片练练手啊。”
年轻人戴上口罩和手套，有模有样地开始调漆，准备作孽，不，是作业。他一开始就用刮刀直接把大漆抹在接口处，结果，弄得两片白碎片上全是大漆，大漆表面干了呈现出褐色，感觉他在玩的不是黄金，而是别的……
理论上来讲，大漆干了以后，就可以进行下一步了。结果，大漆就是这么倔强，怎么着都不干，根本粘不牢。
我说过，这是一个任性的年轻人。就在大家都笑他无聊的时候，他打开了万能的百度，发现一个关键点：大漆不含水分，它需要在湿度足够的地方实现干燥。北京这么干燥的地方，我们需要自制一个阴干箱。
年轻人又砸了一个杯子，开始第二次试验。这次他用小刷笔来上漆，感觉干净多了。那天下午，我们把粘起来的杯子放进一个很湿的箱子里，静待它第二天早上能实现伤口愈合。
第二天早上，我先碰了一下，好像真的干了。年轻人一高兴，拿起杯子，结果杯子根本没干，裂开的地方还是再次裂开了。当时，年轻人那张晴天霹雳的脸，让我好想拍个动图发朋友圈给大家高兴高兴。
“怎么会这样？！”年轻人崩溃了。那个上午，他谁也不理，只对着电脑，开始找资料，总结自己的失败经验。
下午，他突然叫上我去一个卖茶具的市场，买了两个有气质的小杯子。他在买杯子的时候，不停地问人家“怎样可以把杯子摔成完整的两三片”。各路店家都蒙圈了，“你买杯子喝茶为啥非要摔啊？”“小兄弟，你是要拍电影么？”
第三次，这次我拍照了，有图有真相。
这次摔的杯子，虽然没有粉碎性骨折，但碎片的复杂性，也让一个新手值得痛哭好久好久。
温馨提示：一定要戴手套，绝大部分人都会生漆过敏，一旦沾上了，要尽快去除，漆匠推荐用生韭菜捣成汁涂上去止痒。后期制作的时候，年轻人手腕不小心沾了一道生漆，为什么会发生这个悲剧，后面会说到。
Judy：金缮大师的生漆里面是不是还加了什么能加速凝固的？
人饭子：说不定加了502.
年轻人：有可能！所以这就是这项技艺一般人尝试起来总会失败的原因。
当然，任性的年轻人是不可能真的尝试这种旁门歪道的。
为了防止它裂开，还给它用湿报纸做了一个托。
自制简易阴干箱，杯子这次会在里面度过孤独的七天。
七天后，杯子，真的粘牢了！眼看着我们就要上金箔，走上艺术巅峰的时候，万万没想到的悲剧发生了。我们那些作案工具，包括那包金箔纸，由于被放在一个黑色的袋子里，被保洁许姐当成垃圾给扔了，黄金被扔了，扔了。
金箔是年轻人在某宝上买的，据说从台湾运过来要很久。
此处省略我们满北京找纯金金箔或金粉却无果的悲催过程。
最后，我们向现实屈服了，根据网上教程指示，买了不太纯的黄金粉，我们都安慰年轻人：“也是含真黄金的啊。”
如图所示，作案工具被扔了以后，年轻人铤而走险地不戴手套上漆，刷金粉。没错，他就是这时候大漆过敏的。过敏的手腕看上去像一条培根包裹的猪蹄，画面太残忍，不适合发出来给大家看。
看着这最后的作品，年轻人跟我们说：时间会说明一切，大师都是任性的。
任性的代价：
小号羊毛刷、调漆碟、小号刮撬、砂纸、蓝漆、生漆、鹿角霜、口罩、一次性手套、金箔纸、金粉等，共计约500元。
注意事项：
1、千万要做好防护工作，慎防大漆过敏，老人小孩孕妇体弱者尽量远离。
2、湿度和时间是大漆粘合的必要条件。
有兴趣的朋友，可以在家尝试一下，修复一件破碎的器具，让它成为艺术品。
这次的金缮实践过程其实就是一条布满险阻荆棘的道路，虽然我们最终磕磕绊绊地走到终点，看到了成品，但跟真正金缮大师的作品比起来，还差好几圈地球。我们需要时间等待一件作品的成型，也需要时间来打磨更精细的工艺。 A Self-willed Young Man Who Plays With Kintsugi
Written by Fan Zhu Translated by Li Lingzi
My boss is a very self-willed young man.
For example， recently he becomes keen on gold. To be more accurate， he is obsessed with some artistry called "kintsugi". He spent three whole weeks for it， but he did not think of that he would pay capricious price for his caprice.
One morning three weeks ago， when I was having breakfast while browsing the micro-blog， I was summoned by my boss. I rushed to him with a piece of bread in the mouth， waiting for his order. He asked， "Do you know kintsugi？" "I do not. What is that？" The young man sneered， showing the expression that his IQ has an overwhelming advantage over mine， "It is a traditional repairing artistry of Japan. I’ll give you a link and you can get some information by yourself."
I will skip the process that I get the knowledge of kintsugi here. Anyone who cannot get the point after reading this article， please just google it.
"Isn’t it amazing？ It is not only a kind of artistry， but an art！ " Here the young man shows the expression of being self-willed， he continued， "It repairs the cracks with precious gold， which makes things not only completed， but also perfected."
"So what do you want to do？ You want me to interview a craftsman of kintsugi？"
"No， I want to do it by myself." Then he pointed to the tea room， asked me to have a meeting there. I got surprised when I entered the room. Something like paint was taken out from an express box. Actually， at the first sight I thought it was a small packet of something precious. I asked him， "I don’t think it is true but are you going to play with gold？" "Gold foil." "Pure gold？ Or..." "Pure." Not until that moment did I realize that he really wanted to learn to play with kintsugi！
To play with kintsugi， you should at first have a broken ceramic product， such as a glass.
"Then we need to break one." After he said it， I saw Mr. Wang， my colleague who was also in the tea room clenched the small cup he had "nourished" for a long time silently. As we all know， my boss is a self-willed young man. He opened the lockers of the tea rooms wisely and took out a dusty gift mug， and I could imagine the feeling of the cup when it knew it was going to die. But at the moment， there was another person who had complex feelings， it was Mrs Xu， the cleaner. The young man picked up the cup， closed his eyes and threw it to the floor. Mrs Xu’s expression turned from "Please don’t， young master！" to "Oh， I have to sweep the floor again！". Since the altitude of the young man was so high， that with the effect of potential energy of gravity， the cup broke into pieces. The scene became embarrassing， since masters of kintsugi only repair those stuffs with one or two cracks， what should we do to a comminuted fracture？ My colleague Judy reminded him， "You can take two pieces to practice first."
The young man wore the mask and gloves， began to paint， seeming to be professional and to make troubles， oh no， to make a masterpiece. He began with putting the lacquer to the joint with a scraper directly， which made the two white pieces full of lacquer， when it dried it turned to be brown， it seemed like he was not playing with gold， but something else.
Theoretically， when the lacquer is dry， the next step can be done. However， the lacquer was so stubborn that it did turn to be dry， and was not sticky at all.
As I have said， this was a self-willed young man. When we were saying that he was idle， he opened the all-mighty baidu and found the key point： the lacquer did not contain water， and it needed to be dry in some place with enough humidity. Beijing is so dry that we needed to make a dry box by ourselves.
The young man smashed another cup and the second attempt began. This time he painted with a small brush， which seemed to be much cleaner. At that afternoon， we put the agglutinated cup into a very wet box， and hoped that its injury could heal the next morning.
The next morning I touched the lacquer and it seemed to be dry. The young man was happy and he held the cup which was not dry actually， the split pieces split again. At that moment， I really wanted to take a dynamic picture of the young man’s face， which showed great shock and posted it in the Moments to amuse my friends.
"How can it be like this？！" The young man was defeated. At morning he did not speak to anyone， and only faced to the computer， searching for information and concluding his experience of the failure.
In the afternoon， he asked me to go to a market， which sold tea-things. We bought two classy cups， and he continued asking the shopkeepers， "How to break the cup into three complete pieces？" The shopkeepers all got confused， "The cup is for drinking， why must you break it？" "Son， are you going to shoot a movie？"
At the third attempt， I took photos， and there is the truth.
This time the cup did not get a comminuted fracture after being smashed， but the fragments are still so complicated that any green hand can cry for it for a long time. Tips： Gloves are necessary， because most people are allergic to raw lacquer， once touching some of it， they should remove it as soon as possible. Painters recommend the juice of raw leek to relieve the itch. In the late stage， the young man got some raw lacquer on the wrist. How the tragedy happened will be mentioned later.
Judy： Do masters of kintsugi add something to accelerate the solidification to the raw lacquer？
Fanita： Maybe they add 502.
The young man： It is very likely！ That is why average people often fail the attempt of such artistry.
Of course， the self-willed young man would not really try such dishonest practices
To prevent it from breaking into pieces， we made a base for it with wet newspaper.
It is the self-made dry box， and the cup would spend seven lonely days in it.
Seven days later， the cup was really agglutinated！ We were walking to the peak of gold foil and arts， when suddenly a tragedy happened. All our crime tools， including the gold foil was thrown away by Mrs Xu， the cleaner， since they were put in a black plastic bag. The gold was thrown away， thrown away.
The gold foil was bought by the young man from Taobao， it was shipped from Tainwan and took a long time.
Here the tragic process of us looking for the gold foil in vain will be skipped .
At last， we gave in to the reality. According to the instructions online， we bought some gold power which was not pure， and we comforted the young man， "It also contains real gold."
As the picture shows， after the crime tools have been thrown away， the young man rushed into danger of painting gold powder without wearing gloves. Yes， he became allergic at that time. The allergic wrist looked like a pork knuckle which was wrapped in bacon. The scene was too cruel for us to see.
Looking at the final work， the young man said to us， time will prove everything and masters are all self-willed.
The cost of being self-willed
Small wool brush， paint dish， small size wiper， sandpaper， blue paint， lacquer， cornua cervi degelatinatum， masks， disposable gloves， gold foil and gold powder， in total 500 CNY.
Notice：
1.Protect yourself from being allergic to lacquer， and senior citizens， children， the pregnant and the weak should be away from it.
2.Humidity and time is the necessity of the agglutination.
People who are interested in it can have a try at home. You can revise a broken utensil and make it an artwork.
The process of kintsugi is a path full of dangers of thorns， although we eventually stumbled to the end and saw the final product， but compared with the real masters of kintsugi， the distance can be several circles of the earth. We need time to wait for the confection of a piece of work， and also time to refine the skills.