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本文探讨的是当代雕塑泛化现象有关的问题及其现象背后的本质揭示。泛化现象是历史存在的一种“开敞”形式,其背后“遮蔽”的是时代本真。雕塑艺术不管采用什么形式、语言、媒介材料以及观念,都是这个时代“诗意”的投射。
This article explores the problems related to the generalization of contemporary sculpture and the essential revelations behind the phenomenon. The phenomenon of generalization is an “open” form of historical existence behind the “shadow” of the times. No matter what form of sculpture art, language, media materials and ideas are the projection of “poetic” in this era.