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自19世纪中叶开始,朝鲜半岛人民大批地迁入我国东北。作为迁移民族的中国朝鲜族,在音乐文化发展中,既保留了其原生态的特点,同时又不断地吸取华夏文化之养分,并在相互交流、相互影响的过程中,逐渐形成了鲜明、独特的、具有浓郁民族特色的音乐文化。中国朝鲜族颂歌的创作产生于战争年代,抗日战争时期是其创作和发展的开端,解放战争时期是其形成自己音乐风格特点,自我发展的重要阶段。本文阐述了1931年—1949年,中国朝鲜族颂歌的创作发展历程,着重对解放战争时期,颂歌在歌词题材、旋律创作、作曲家等方面的发展进行分析和论述,希望能对朝鲜族颂歌的研究做一个有益的补充。
Since the middle of the 19th century, the people in the Korean Peninsula have moved in large numbers to the northeast of our country. As a migrant ethnic Chinese, in the development of musical culture, they not only retain the characteristics of their original ecology, but also continuously absorb the nutrients of the Chinese culture. In the process of mutual exchange and interaction, they gradually form a distinctive and unique , With strong ethnic characteristics of the music culture. The creation of the Chinese Korean carols originated in the war years. The period of the War of Resistance Against Japan was the beginning of its creation and development. The period of the Liberation War was an important stage in which it formed its own musical style and developed itself. This essay elaborates the creation and development of Chinese Korean carols from 1931 to 1949, focusing on the analysis and discussion of the development of lyric songs in terms of lyric themes, melody creation and composers during the War of Liberation, in the hope of caring for Korean carols Research is a useful supplement.