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两性对歌是上古至今中国传统民间音乐存在的常态。当我们立足于田野,重温被《诗经》记录的吟唱,并与两性对歌跨越时空地相遇时,它给予今人理解中国对歌传统以何种启示?比较研究或许可以让我们在古今间建立起共同的文化意识和跨越地理的象征性关联,寻找对歌文化观念体系的痕迹。本文的比较研究在设定的比较刻度中进行,即基于不同材料与个案的综合,以“仪式性歌唱”1的各类文化变量,对中国西南西北两地的两性对歌展开定性的比较研究。
Antitheses to the song is the norm of ancient Chinese traditional folk music. When we base ourselves on the field and review the singing recorded in the Book of Songs and meet with the sexes across time and space, what inspiration does it give the present to understand the Chinese tradition of singing? Comparative study may allow us to Establish a common cultural awareness and symbolic link across the geography, looking for traces of the cultural concept of song system. The comparative study of this article is carried out on the set comparative scales, that is, based on the synthesis of different materials and cases, various cultural variables of “ritual singing” 1 are used to qualitatively and qualitatively analyze the two sexes in Northwest, Southwest China compare research.