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二十世纪八十年代,袁志山那些以皖南乡土风貌为主题的山水画作品,带着率真、质朴而清新的泥土气息,带着黄山云雾茶般的醇香而略具苦涩的味儿,令人耳目一新、回味不已;还有那风卷残云的气势,纵横驰骋的笔墨均深深地震撼了观众的心灵。一九八六年,其作品《韵秋》入选第十届国际里耶卡绘画大展并获奖,《江苏画刊》《美术》《迎春花》《中国画》等刊物也以大量篇幅刊发其作品,人民美术出版社、台湾雄狮出版社、香港繁荣出版社先后为其出版作品专集,他以出色的艺术成就被英国剑桥大学辑录入国际文化名人大典。自二十世纪九十年代末至今,他携其十年中五次西藏之行创作的大批力作先后
In the 1980s, those landscape paintings by Yuan Zhishan, with the theme of Wannan native style, with a real, fresh and earthy flavor, brought a refreshing and bitter taste with the mellow and slightly bitter taste of Huangshan cloud tea. Aftertaste endless; there is the momentum of the wind, the length and breadth of the ink are deeply shocked the audience’s soul. In 1986, his work “Yun Qiu” was selected as the winner of the 10th International Rijeka Painting Exhibition, and journals such as “Jiangsu Art”, “Spring Flowers” and “Chinese Paintings” were published in large numbers Works, People’s Fine Arts Publishing House, Taiwan Lions Press, Hong Kong Prosperity Publishing House has published works for his collection, he was outstanding artistic achievement by the British University of Cambridge series into the international cultural celebrity ceremony. Since the late 1990s, he has successively led a large number of masterpieces in his ten trips to Tibet