我国当代艺术的早期发展,面临着文化资本无法转化为经济、社会资本的困境。在文化资本再生产受到阻隔的条件下,艺术家们通过建立相应的艺术群落,以一种曲线的方式完成了文化资本的制度化过程,并最终获得了自身的成功。在布尔迪厄艺术社会学的文化资本理论视野下,这些艺术群落的生成有着其自身独特的社会学逻辑。 The early development of contemporary Chinese art faces the dilemma that cultural capital can not be transformed into economic and social capital. Under the circumstance that the reproduction of cultural capital is blocked, the artists completed the institutionalization of cultural capital by establishing a corresponding artistic community in a curvilinear way and ultimately achieved their own success. From the perspective of cultural capital theory of Bourdieu’s sociology of art, these artistic communities have their own unique sociological logic.