钱南扬校点的《汤显祖戏曲集》采用臧懋循刊刻“玉茗堂四种曲”中的插图,其插图能够代表明代戏曲插图的风格和水平。其中《牡丹亭》的插图人物生动,山水如诗,描绘精细,用笔潇洒,本文以《牡丹亭》戏曲插图为例,从白描角度分析明代的戏曲插图的艺术特色。 Qian Nan Yang’s “Tang Xian Zu Series” at the school’s campus adopts illustrations from Zang Maotong’s “Four Songs of Yu Ming Tang”, whose illustrations represent the style and level of Ming opera illustrations. The illustrations of The Peony Pavilion are vivid and poetic in landscapes. They are elaborately depicted and pen clear. Taking “The Peony Pavilion” opera illustration as an example, this paper analyzes the artistic features of the Ming Dynasty opera illustrations from the perspective of white sketch.