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巴赫金的复调小说理论按照叙事模式的差异把小说分成独白小说和复调小说,前者是受到作者统一意识支配的单声部的传统文学作品,后者则是打破作者意识的绝对掌控,制造多声部对话的叙事艺术。这一观点在电影叙事的区分上同样具有理论效力。电影《罗生门》体现出复调叙事与独白影片的明显差异,作品的情节呈现并置状态,传统的全知全能的上帝视角付之阙如,取而代之的是各人物角色、作者、读者之间的平等对话,这种效果恰好印证了巴赫金的复调理论。
Bakhtin’s polyphonic novel divides the novel into monologues and polyphony novels according to the differences in the narrative modes. The former is a monolingual traditional literary work dominated by the author’s unified consciousness, while the latter is to break the author’s absolute control and make The Narrative Art of Dialogues in Polyphony. This view also has the theoretical effect on the distinction between movie narratives. The film “Rashomon” reflects the obvious difference between narrative narration and monologue films. The plot of the work presents the juxtaposition state. The traditional omniscient and omnipotent perspective of God is lacking and is replaced by the equality of the characters, authors and readers Dialogue, this effect just confirms Bakhtin’s polyphony theory.