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在一定程度上说,耶利内克的短剧《晚风总统》是对奥地利大众剧作家内斯特罗伊的滑稽剧《晚风酋长》的重新解读与反思。在现在与过去的互文对话之中,引言脱离了原来的语境,在新的语境中获得新的指涉可能,在对历史话语的反思中使人窥见到文化模式的移置、转换。本文尝试在对这两个文本比较的基础上,着重探讨耶氏剧作是如何通过文学审美方式对文化模式的不同侧面进行演示的,是如何通过怪诞戏耍的表现方式,通过对原本二元对立的模式的混淆演示,来进行文化模式批判的。
To a certain extent, Jelinek’s play “Breezy President” is a reinterpretation of and reflection on the comic drama “Berserk” by Nestor Roy, a popular Austrian playwright. In the current and past intertextual dialogue, the introduction breaks away from the original context, acquires new referential possibilities in the new context, and makes people glimpse the displacement and transformation of the cultural model in the reflection on the historical discourse . Based on the comparison of these two texts, this article tries to find out how Yersinia plays the different aspects of the cultural model through the way of aesthetic appreciation of the literature. By means of the expression of grotesque play, Confusing presentation of the model to conduct a cultural model of the critique.